Post by account_disabled on Dec 20, 2023 5:38:07 GMT
The Transeuropa 2.0 publishing house, after the transfer of the plants from the Marche to Tuscany, was established as a coordination of authors (which was perhaps the dream of one of the founders of the previous management, the Emilian writer Pier Vittorio Tondelli). I think it is a more unique than rare case in the Italian publishing scene. All members are writers or poets. Even the commercial director is a well-known Italian writer. Therefore the center of our interest has always been and continues to be fiction, in particular Italian debut fiction. Fiction, which today also includes foreign fiction, is the "thinking heart" of our project. Which then obviously expanded and developed to also embrace poetry, theater and serious non-fiction.
Then use the mouse to move on the Special Data white squares at the corners and extend the image until using the entire available size. Finally click on “Set as profile photo”. Once set, click on “Continue”. Google+ page Google+ will suggest you already share the page, but it's early. You still have to finish the job. Then click on Finish, which you will find at the bottom. An introductory screen will open (This page is now using Google+. Posts, comments and notifications are sent from this page). Click on Ok and then on the left on the name of your page.making self-fulfilling prophecies. However, we can express an opinion on the current state of publishing: the weight of large-scale retail trade (GDO) is too strong, so much so that distribution is able to exercise blackmail power over publishers, influencing their editorial choices.
How do you establish a dialogue with your readers? Do you consider it sufficient? Apart from the use of horizontal technologies such as social networks, Facebook above all, and the use of monthly newsletters, communication with readers passes through the editorial choices we make, the courage we always try to put into editorial planning, the desire to surprise us first: well, when we lose the desire to surprise ourselves we will have a clear sign of tiredness, and the relationship of trust built up to now with our public, which is very attentive and demanding, will also pay for it. Another form of communication passes through the end pages of our books, where we reserve space for the catalog of our previous releases and the edition notes, which name all the people and roles held at the time of the launch of a particular title . It seems to us to be an operation of transparency that the reader can appreciate, having a sort of "control page" of the edition. The same control is also exercised by those who worked on the book towards the publisher.
Then use the mouse to move on the Special Data white squares at the corners and extend the image until using the entire available size. Finally click on “Set as profile photo”. Once set, click on “Continue”. Google+ page Google+ will suggest you already share the page, but it's early. You still have to finish the job. Then click on Finish, which you will find at the bottom. An introductory screen will open (This page is now using Google+. Posts, comments and notifications are sent from this page). Click on Ok and then on the left on the name of your page.making self-fulfilling prophecies. However, we can express an opinion on the current state of publishing: the weight of large-scale retail trade (GDO) is too strong, so much so that distribution is able to exercise blackmail power over publishers, influencing their editorial choices.
How do you establish a dialogue with your readers? Do you consider it sufficient? Apart from the use of horizontal technologies such as social networks, Facebook above all, and the use of monthly newsletters, communication with readers passes through the editorial choices we make, the courage we always try to put into editorial planning, the desire to surprise us first: well, when we lose the desire to surprise ourselves we will have a clear sign of tiredness, and the relationship of trust built up to now with our public, which is very attentive and demanding, will also pay for it. Another form of communication passes through the end pages of our books, where we reserve space for the catalog of our previous releases and the edition notes, which name all the people and roles held at the time of the launch of a particular title . It seems to us to be an operation of transparency that the reader can appreciate, having a sort of "control page" of the edition. The same control is also exercised by those who worked on the book towards the publisher.